The Unknown, Choreographed assembles an odd mix of new artistic experiments and playful experiences made possible mainly thanks to randomness. Though the entire event hinges on the premise of chance encounters, each of its elements demonstrates an intentional and laborious thought process
Since 2018, the young, prolific sculptor Đỗ Hà Hoài has been tirelessly experimenting with the theme ‘allergy’ in different materials, scales, and forms as a way to capture the visceral and raw reactions to overwhelming changes in life. A continuation of his Allergy series, Hoài attempts to draft the map for the future of 3năm studio — or of what would become of it when the tenants move out, soon. His prophecy comes in the shape of human body parts that turn, breathe, twist, scream, and idle, wrapping the lush garden in their last embrace.
Rab tells a story about the mythical origin of the human species, which is grounded on the trope of God being a craftsman and us their creations. In the open-endedness of her fictional museum, Rab walks us through the process of human-making, which like any other type of production requires countless trials and errors.
Despite not fitting into the category of emerging artists (for she has exhibited widely, both locally and internationally), a revisit of Ngô Đình Bảo Châu’s 2015 video work is necessary. A chess game where its pieces are replaced by unpainted plaster statuettes of cute, cartoonish animals. Winning or losing is meaningless and impossible, but the startling pangs in the heart are what prevail.
As an event to celebrate new faces in the Saigon art scene, The Unknown, Choreographed is also the last event that 3năm studio hosts in this location. To remember this milestone, Kai Nguyễn — a photographer, a member of the collective, as well as a plant enthusiast — seeks to start a conversation on cogon grass and its relation to the changing landscape of urbanised Saigon through traditional cooling herbal drink. From Dalat to Saigon, Cù Rú bar will surely help make our last memories in this place happy ones with cocktails inspired by this occasion.
“All men by nature want to know” was how Aristotle began the first chapter of ‘Metaphysics’. That sentence, while leading readers to a maze of philosophical ideas that they might never understand in their lifetime (the author of this text is one of them), adeptly conveys human nature: to know and therefore to control. What does letting go of control mean? Despite our constant effort to keep things in order, slippages still happen or in Vietnam, we say “God calculates better than humans do”. The Unknown, Choreographed attempts to see what will entail if God and humans join forces in the calculation.”